Monday, February 4, 2019

Indian Classical Ensemble (Yr2; Sem2)

 Date for Entry: (Monday 4th February 2019)

Actual Date of Online Entry: (Monday 14th March 2022)


RAAG BHIMPALASI.

* Monday 4th February 2019 *

    This was the first class of being experienced in the piece called Raag Bhimplasi. The chorus and the verse were given and it seemed to be quite catchy and attractive. We were given all of the music to learn because I had all of the music written out by the second version. The piece was used at the Music of the Diaspora concert’.

Link(s):

  1. Handwritten Notes.**
  2. Version 1-3.** [For Request by Email.]
  3. Version 4 - FINAL.


Daryl Zion M. Ali 

Sunday, January 13, 2019

"Broken for Me"

 Date for Entry: (Sunday 13th January 2019)

Actual Date of Online Entry: (Saturday 12th March 2022)

Dear Diary,

    I was given a copy of a communion hymn called “Broken for Me” by Mr. Sharma from the Book of Praise. It felt like it was my news assignment that he was giving me to do for the Sunday School steelband. The first new one for the new year.

    I was expected to try it out because it was a hymn that came from the book of praise and I was not sure what songs from there were like. I was also excepted because the score came with chord symbols that aren’t given in the other hymnary that we use in church.

    The working time or this piece of music did not take that much time. Only two Saturdays were used. I could remember sitting at home in Tunapuna in the gallery and working it out on these two occasions while the sun was setting. I enjoyed working this out. It was good. The neighbor Darius’ wake was taking place during this time as well.


Link(s):

  1. Hymn Score from the Book of Praise.


Daryl Zion M. Ali

Friday, December 28, 2018

Music and Art to a Tattoo

 Date for Entry: (Friday 28th December 2018)

Actual Date of Online Entry: (Saturday 12th March 2022)


Dear Diary,

    I was asked by a friend Elizabeth to recreate an image for her. She had shown me from a notebook something close to what she wanted. She said that she wanted to use it for a tattoo. This drawing was completed as a DAPHA Project on the entry date written above. 

    I’m very pleased that the drawing was found satisfactory. I am not sure if the plan/idea of the drawing was ever used.

 

Daryl Zion M. Ali

Wednesday, December 19, 2018

Introduction to the Steelpan Family - (CHART BOOK)

Date for Entry: (Wednesday 19th December 2018)

Actual Date of Online Entry: (Saturday 12th March 2022)

Dear Diary,

    The following is an account of the works done for a 'chartbook' created by me entitled "Introduction to the Steelpan Family" and was made to simplify the roles and functions of steelpan instruments in Dr. Remy's “Fundamentals of Steelpan Arranging” textbook for the certificate course.

    This entry will show blueprints created for the aid of recreating new documents of the same type and strategies that went into making this type of document made of Bristol board sheets.

Link(s):

  1. Cover Page & Content Page - 'Blueprint' Templates.
  2. Images of "Introduction to the Steelpan Family" Chartbook.

 

COVER PAGE.

*  Wednesday 19th December 2018 *

    I decided to create a copy of my ‘ultimate project’ that was done for the “Fundamentals of Steelpan Arranging” course in the certificate program. Two duplications would be gifted to the Festival Library at DCFA and West Indiana Collections at the UWIs Alma Jordon Library. A blueprint was done to help recreate the new layout of the pages. I decided to have printouts of the information to just cut them out and stick with liquid glue.


CONTENT PAGES.

*  Thursday 20th December 2018 *

    A cover page was created to add a finish to the book. It was satisfactory to me and a Bristol board of similar styling was added to the back. 


Daryl Zion M. Ali

Thursday, October 11, 2018

Music Literatures of the Steelpan - Course Materials

 Date for Entry: (Thursday 11th October 2018)

Actual Date of Online Entry: (Thursday 10th March 2022)

[WRITTEN AS REPORT]

Dear Diary,

    In this entry, I list my works for the Music Literatures of the steelpan course materials. They are to assist the students in completing their assignments and to assist in making the course more student-friendly. Below is an account of all the work that was done by myself (as part of the DAPHA Project) for the course.

Link(s):

  1. 'Scratch Created' Textbook - (Version 4).


ASSIGNMENT FORMS (ALL VERSIONS).

* Thursday 11th October 2018 *

    The 1st versions of both forms were done to do my assignments. I really wanted to do over the kind that Dr. Remy sent by email. The book report form is usually used for assignments 2 and 3. The newspaper clipping form is used at the archives and for the microfilm assignment. (Thursday 11th October 2018)

    For the 2nd version, I decided to add watermarks. Dr. Remy and I were excited to use them and see how they turned out. Unfortunately, after a semester of putting it into the trial, there was some difficulty set with the watermark being too bold on the paper. (2019)

    In the 3rd Version, all the watermarks were taken out. The header was amended in both forms. The book report form was changed on pages two and three. I designed page three to be duplicated for how many pages the student needed. The newspaper report form was an adoption of the "A Season of Steelpan" form version. 

    I'm not sure how useful this was for Dr. Remy and her new batch of students for that particular academic year. Unfortunately for me, Microsoft Word observed several technical challenges and destroyed my work for the "A Season of Steelpan" series book. I was still proud of this version for the students. It seemed more professional and 'official' in a way. (2020)

Link(s):

  1. Book Report Form - (Version 1-2). ** [For Request by Email.]
  2. Book Report Form - (Version 3).
  3. Newspaper Report Form - (Version 1-2). ** [For Request by Email.]
  4. Newspaper Report Form - (Version 3).


NEWSPAPER CLIPPING POWERPOINTS.

* Tuesday 18th December 2018 *

    During the vacation period (year 2, semester 1) of the Music Degree, as I was cutting through some newspapers for more steelpan Articles, I thought that there should also be proper techniques to share with the students and show them that when they cut paper how it came to be destroyed easy in future in the library either by age or by audience usage. I did separate PowerPoints to emphasize certain types of article clippings.

Link(s):

  1. Short-Sized Articles.
  2. Full-Page Articles.
  3. Two Separate Page Articles.
  4. Double-Sided Sheet Articles.
  5. Irregular-Shaped Articles.


LIST OF STEELBANDS.

* Saturday 29th December 2018.*

    In the course, there were eight pages containing a list of names of steelbands. I was able to take that list and condense it into three pages. I thought of the Steelpan Arranging 1 course I did with Dr. Remy's degree and thought that it would have been more helpful to the students with just three pages.

Link(s):

  1. List of South Steelbands. ** [See Textbook for list.]


MLA Handouts.

* Monday 18th February 2019 *

    I was in the Festival Library at DCFA and then I received a message. It was a message from Dr. Remy saying that she had to speak with me. When I knew she was in school, I shut back down the laptop and went upstairs to Cheeseman Building to visit her. I did not know what it was.

    When I got there, she told me that the students in the class (Music Literature of the Steelpan) were having trouble doing the MLA. They had just updated MLA citation to version eight. She took out a page with writing and boxes and showed me what she had planned. Just by looking at the paper, I realized that Dr. Remy was asking me to help her make a handout to teach the students how to do the MLA. This is what she continued to tell me and she said that the students were getting a lot of trouble trying to do the citation.

    I took the page she gave me and did the work overnight. The next day, I went back to visit her in the office to submit the work. I showed Dr. Remy the handout she wanted me to make. In addition, there was a second one I had made for her where I did a sample of the assignment’s form filled out with the newspaper article done.

Link(s):

  1. Newspaper Form Worksheet - (Dr. Remy's Template).
  2. Newspaper Form Worksheet - (My Product).


Daryl Zion M. Ali

Sunday, October 7, 2018

Critical Readings in Caribbean Arts and Culture 1 - (MUSC 2010)

 Date for Entry: (Saturday 7th October 2018)

Actual Date of Online Entry: (Thursday 10th March 2022)

Dear Diary,

    This course began on the first week of the semester. It was a three-hour class starting from one in the afternoon. I was very nervous about the first class because the course code (THEA 2010) suggested that it was a theatre-styled course. Usually, those courses are not the usual kinda musician will endure/experience. The first class was very interactive where we had games to play and then they placed us into groups by horoscope. There were three of us in my group. 

    Looking at the course outline after those activities, we learned that there was an easy way to get ten marks to our final grade if we discuss and participate in weekly conversations in class about the readings we would have to read and prepare each week. In addition, we could also receive an easy fifty marks for our final grade if we do journal entries for the ten weekly readings. 

    So, I knew that I had to talk to get some free points and do my ten journal entries to pass the course. There was also a position paper we had to write to make up the rest of the hundred percent. That position paper would definitely be a scary and hard challenge to accomplish. Around the weeks, each group had to wait to see if Dr. Pearce would call on them. She said that if she called on a group and they are not ready, they could get zero. 

Link(s):

  1. Course Outline.

JOURNAL ENTRY FORM.

* Friday 21st October 2018 *

The third week had gone by and I was confused with the notes I had done to do my three journal entries. I decided to create a document on Microsoft Word that would cater to the four questions that were asked of us to answer in the journal. I thought that a legal-sized page would be long enough in case I had a lot to write for one reading and I was right later down into the semester. 

Link(s):

  1. Journal Entry Form.

POSITION PAPER.

* Unknown/Forgotten *

The position paper came and passed. I had a little bit to rush down to the end. At this point, I had cut out all attendance to the Law and Governance course because it was starting to move like a set-up. Every time you go to class the students had To gather outside and we would have to be moved around all the time for a better venue other than Dagga. So, I was at home that morning finishing up the rest of the paper. I knew my mark was going to be VERY low. 

    I remember the evening getting back the paper I saw the mark was a small pass. I felt good. When I saw that the comment said the writing was not clear, maybe they should make the reading materials clear too. Sometimes we are all left to read the passages either individually or as a group and be left confused about everything someone is talking about in their writing.

Link(s):

  1. Position Paper.

COURSE TEXTBOOK.

* Unknown Date/Forgotten *

    This was the compilation textbook made for the course. It is to be considered 'scratch created' because it was the first one made for the class. The first version was the copy I used throughout the course. A digital copy was provided to the lecturer Dr. Pearce in case it was suitable for use. For the purpose of the journal entry and archiving, the document was reviewed and amended.

Link(s):

  1. Critical Readings 1 - Textbook - (Version 2).


Daryl Zion M. Ali

Monday, September 10, 2018

Indian Classical Ensemble (Yr2; Sem1)

 Date for Entry: (Monday 10th September 2018)

Actual Date of Online Entry: (Thursday 10th March 2022)

Dear Diary,

    This class began on the second week of the semester. A series of transcriptions were done for it also and will be presented in all of their surviving versions.


CHOOKAR MERE MANN KO.

This was the starting piece for the semester. Sections A and B were given to the class in Sargam (Bhatkhandi style) and the others were given by the second week. It took three classes to complete this piece. I did have to do corrections until the fourth version was made as to the final recital version.

Link(s):

  1. Version 1-3. ** [For Request by Email.]
  2. Version 5.


RAAG JOG. 

This piece was given to us only the chorus and the verse. There was a recording sent to us from Mr. Maharaj for the entire piece. He sang the entire piece. 

    For me, I had a feeling that we were not going to do the entire piece and it ended up being that way. There was a shortstop in the class and we got off-track. We were only doing the first two sections but in deciding on the sage of proper notation, I decided to write out all that he sang in the recording. In some of the solos that Sir had us do, I decided to use some of the rest of the music we were not doing.

Link(s):

  1. Raag Jog - Handwritten Notes.
  2. Version 1. ** [For Request by Email.]
  3. Raag Jog - Version 5.


Daryl Zion M. Ali

Wednesday, September 5, 2018

Jazz Theory 1- (MUSC 2501)

  Date for Entry: (Wednesday 5th September 2018)

Actual Date of Online Entry: (Wednesday 9th March 2022)

[Entry as Report]

Dear Diary,

    On the same day as Intermediate Ensemble, I had Jazz Theory 1. It was immediately after three in the afternoon. The name of the lecturer for this course was Mr. Enrique Moore and it was wonderful to learn sometime down at the end of the course that he is a pastor. There are a series of events that occurred in this course and they are separated by episode. 


FIRST DAY

* Wednesday 5th September 2018 *

    On the first day of the course, we were given the cost of the course manual and also a short introduction, and some new theories and we ended with a short Evaluation Test. We shared Mrs. Neaves' name of the exercise with him as a diagnostic test. 

    It was corrected and reviewed at the end of the second class. I decided to do the exercise worksheet properly and gave Mr. Moore a printout of it. I could hear from the particular laugh that he was satisfied with it. I was also able to keep a scanned copy of my handwritten notes from that second class. It was not an easy one at all but new information.

Link(s):

  1. Evaluation Test - Mr. Moore's Version.
  2. Evaluation Test - My Version.
  3. Handwritten Notes - Second Class.


Jazz Theory 1 Mid-Term

* 30th October 2018 *

    A lot of us were trying to cram as much information as we could. This was not an easy course and by the time the exam reach the classroom, it was late. There was also a composition to be submitted on that day too. Mr. Moore gave us the assignment to do composition using the blues pattern. This was graded and returned some long time after the Mid-Term was given back.

    The moment I was handed the paper, my head began to squeeze. I tried to keep the work fail away from my mind and answer them as best as I could. The first page was good but front the second page onward was the beginning of the difficult question. I also saw how they made the exam paper and how I could do it over if I was asked to or if I had chosen. The chords on page four were a nightmare in some. I was able to write out the scales and the scores correctly for a few.

Link(s):

  1. Jazz Theory 1 - Mid-Term Exam.
  2. History Notes (From Mr. Moore). This Version was 'doctored' by me.
  3. "Sailing Through Venice Rivers" - Assignment.
  4. "Sailing Through Venice Rivers" Recording.


Composition Assignment (Second Trial).

* Tuesday 13th November 2018 *

    When I did my first submission of the composition Mr. Moore did not want it with any piano accompaniment. He asked me to resubmit it with just the melodic line. I ad in the jazz analysis in pencil again and handed it to him. Some of the comments this time around were not negative or heavy in correction, thank goodness. 

Link(s):

  1. First Request.

 

Final Project & Final Examination.

* Tuesday 11th December 2018 *

This day presented two examinations. The morning had my piano jury at ten in the morning in DCFA Studio one. I got there very early to do one last practice and then wait for the exam to begin. I heard from other students that we had to have copies of the music for the judges.

    Unfortunately, the library was not opened yet and someone said that no one was in the office upstairs yet. I had a few dollars with me so I took it and went to the other side of the campus office to print the music and went back to the venue.

    The music was really soothing. I was a bit nervous but no mistakes were done in any of the playings. I wait to see what the judges’ scores would be. Mr. Sharma allowed us who were doing Jazz Theory this afternoon to go first and then be able to leave. The two pieces I performed were “Lonely Bear” and “Dance of the Pianists”.

    I saw Natasha and Carl talking about the composition that we had to do and submit in school for Jazz Theory as they headed over to the kitchen side. I did not stay with them but went back to Curepe's home. I’m thankful to Mr. Moore for his advice and extra lessons one day on some of the theory and composition. I used them to complete the assignment and it was easier.

    The evening came by quickly. We had to go up to MD3 for the written Jazz Theory examination that evening. All of them were waiting upstairs with the compositions in their hand. As I looked up at them from the bridge, I could hear all of them shouting in happiness because I was the last one to meet them up there apparently. We all stood outside the exam doors with no idea what to do with the compositions and one of the invigilators inside was not allowing us to carry the compositions in with them.

    Our classmate Carla took all the assignments and went back down the stairs. He took some minutes. All of the people inside the examination room were looking out at us. We chose not to enter because we found it unfair to enter while Carla went to deliver our compositions. He came back in a few minutes after we were asked to either enter or leave by some other invigilator man. We were not allowed to be ‘liming’ outside the examination room so we decided to go inside in one single line. We knew where our row of desks and chairs were.

    Carla came back five minutes after the exam started. After chatting with him on Instagram that evening, I learned that he had gone all the way up t DCFA to drop off the composition assignments and then came right back down to Main Campus to do the exam.

    The exam was tough. A lot of things I had forgotten. We were not given manuscript paper and had to draw in staves in the answer booklet with regular photocopied folder pages. We had a lot of scales and chords to write. Some things were jazz analysis and sentence responses. I was one of the few who decided to take the time to check over. I handed up my papers when the time was up.

    I met Mr. More coming in SUPER late when I was walking out from collecting my bags. It was really nice to see him that evening. I know the other students would have been angry but it was good working with him. I remember that he was asking me at the end of the final class what he really wanted me to do over the course textbook. It was my wish after doing all the charts that I had done for the Mid-term study. I wish it was possible but to do a project like that would be too difficult for me, especially where there is no proper information available, and to find someone to work with me and guide me in it would have probably been impossible.

    The composition that I did was something in memory of Dr. Ann-Marion Osborne. I did a painting late in the time leading up to the final exam. It was only a drawing at that time but I did have it coloured to upload it to YouTube. There was also a form I made. It was a Composition plan to help me make a strategy. After thinking about all the advice and extra lesson I had with Mr. Moore, I decided that this plan would have helped me put the entire thing together. I did not get to share it with the rest of the class.

Link(s):

  1. Jazz Theory 1 – Candidate’s Receipt.
  2. Jazz Theory Composition Plan.
  3. “Remembering You” – Composition Assignment.
  4. "Remembering You" - Sketch & Painting.
  5. “Remembering You” – Recording.


CHARTBOOK.

Throughout the semester I took some time to make charts based on the various topics covered in the class. They were very helpful in the process of revision as in the Music theory 1 & 2 courses.


**chart pictures**


Daryl Zion M. Ali

Vessigny Secondary School (SONG)

Date for Entry : (Unknown/Forgotten;  JULY   2012 ) Actual Date of Online Entry : (Monday 28 July 2025) Dear Diary,      The following relat...